Introduction:
In
practically every century, other than our present one, women have been subjected
to bondage ranging from the mildest to the most severe of restraints, all under
the guise of training and discipline.
The common
denominator of it all was the practice of tight-lacing. It was customary,
regarded as vitally necessary, for girls to be indoctrinated to the most severe
and restrictive of corsets, which they referred to as stays. As a corollary to
complete figure-training, the girls were forced to accept and undergo virtually
all types of personal restraints, bound arms, shoulder-braces, stocks for
sleeping, masks that muted them, deafened them, and even blinded them.
Backboards to hold them rigidly erect, and collars to hold their heads up high
and to anchor the backboards, also tether them.
The system
was self-perpetuating because the women came to accept all the restraints as
necessary to achieve status, consequently to be imposed on their own daughters.
Moreover, there was the prevalent notion that the more restraint, the more
ladylike status resulted, and the girls were subjected to a systematic and
progressive bondage that, in some casts (sic), reached extreme that today are
hard to believe.
Chapter 1: TIGHTLACING STANDARDS
Since almost
the earliest times, whenever there was leisure and wealth to be enjoyed, the
women displayed their leisured status by rendering themselves obviously
incapable of physical work. In Europe, this took the form of mutilating the body
by means of corsets or stays. The common women, who had to work for a living,
couldn’t possibly lace tightly enough to be confused with the ladies. They were
laced so tightly that their bodies were actually distorted to the point where
they couldn’t work. A lady wore tight stays. Common women did not. It was as
simple as that, and the result was that every woman sought to lace her body to a
greater extreme, thus demonstrating her status.
Stays were
made far differently than today’s corsets and girdles. We hear of whalebone in
old novels, but before that, there were bars of iron and steel, hardened leather
known as bend, which was one-fourth of an inch thick and hard as
wood.
Periodically,
there would be a revolutionary edict, against stays or short-term fashion for
loose waists, but these never lasted long. Probably, because the corsets were so
restrictive that once worn tightly, they served to weaken the muscles to such a
point that the wearer virtually had to continue lacing tightly purely for
comfort. With each loose-waisted period thus doomed, the corset-enthusiasts
managed to influence fashion so that after a few years, the styles once more
called for tiny waists; frequently to a new standard waist
measurement.
Acceptable
waistlines, thus varied from era to era—occasionally going to such extremes as
thirteen inches during Elizabeth I’s reign relaxing to eighteen to twenty
inches, then returning to fourteen inches.
Catherine de
Medici of France established a standard at her court of fourteen inches. Ladies
with waists larger than that size were not welcome. Even during the Empire and
the Regency periods, the staymakers urged mothers to lace their daughters
properly, which meant with full rigor, and have their stays filled with bone and
equipped with shoulderstraps. Most certainly, the girls should all be made to
sleep in their stays, without having the laces loosened. Why let the body swell
during the eight or nine hours of sleep and then have to regain all the lost
ground? They reminded all the mothers, that the traditional waist-standard was
this span—a girl should be able to clasp her hands about her own
waist.
The ladies
might have suffered horribly from stays while they were girls but once they were
grown up, they had it made and from then on it was easier. They forgot how hard
it was when it came time to lace their daughters. In many cases, they magnified
the rigor of their own upbringing and minimized the discomfort they remembered,
so that it was easy for them to make even more severe demands on their
daughters.
The girls
were put into stays around the age of nine—sometimes before—and existing
fashions were not regarded as important in training the girls, for the more
rigorous styles were bound to follow. Consequently, the corset were fantastic
instruments of torture for the girls—forty-pound panoplies of steel and leather
and wood that squeezed them from armpits to hips, to such a degree that a full
breath was impossible and any physical exertion confined to only a few
moments.
Wearing such
corsets, the girls had to act like ladies—move slowly and sedately, stand
stiffly erect like a soldier at attention, and eat like a bird. It was
impossible to eat much, just as it was impossible to run and jump or to slump in
a chair.
Corsets made
then were termed "full-boned" if the boning was placed a as closely together as
possible. If the width of a bone was allowed between adjacent bones, the corset
was called "half-bones." (sic) It was unthinkable for a girl to be permitted to
have anything other than full-boned corsets and many mothers insisted on
"double-boned" stays for their girls.
Shoulderstraps were attached at the top of the back, went over the tops
of the shoulders, down, and were pulled back under the arms to buckle together
tightly in back, holding the shoulders back and down in an extreme braced
position. Staymakers advocated them for all growing girls to avoid slumping and
slouched.
There was
another purpose too, these shoulderstraps would be unfastened when the girl’s
laces were tightened. With the girl holding a bedpost, or with her wrists
strapped to the bedpost as many staymakers recommended, the mother would brace a
knee against the girl’s back and tighten her laces as much as she was able. She
would work the slack lace to the top, knot it tightly and then trim off the
excess lace right at the knot. Some mothers would seal the knot with wax and
their ring. Then they would fasten the shoulderstraps once more—and the girl
would nearly die.
While being
laced, with the shoulderstraps undone, the girl would be able to lift her
shoulders in a shrug, giving extra lung space for each breath. However this
extra breath was denied her when her shoulderstraps were fastened because now
she was unable to lift her shoulders at all. Thus, she was unable to breath
enough to stay alive unless she deliberately forced her ribs out against the
confining corset with all her strength. This bent her ribs to a tighter radius,
of course, and hurt. The pain has been likened to a red-hot knife in the ribs on
each side. A stabbing pain with each breath. But the alternative was not to
breath and that was impossible. Many girls fainted and some mothers loosened the
stays but staymakers recommended that the stays be left tight and the ribs be
pushed in further by hand—artificial respiration—with smelling salts at the
girl’s nostrils helped (sic) to bring her around.
Thus,
shoulderstraps helped form the waist more, quickly and so staymakers recommended
them even where there was no real posture problem.
The girl
would seek to stay alive with the shallowest of breathing and thus, she would
conform to the accepted standard of behavior. Any physical exertion would call
for more breath and cause that red-hot stabbing knife with each
intake.
Of course the
girl would take off her corset or loosen it if she could, but she was unable to.
In nearly all cases, stays for girls had no front clasps—or any other front
opening. The only way to remove them was by the lacing in the back, and with the
shoulders buckled so firmly down and back, it was impossible to reach the hard
knot—sealed or unsealed—at the top of the back, let alone undo
it.
The
recommended practice was to leave the lace knotted tightly until the next time
the lace was tightened. In most cases, this meant the girl had to sleep in her
tight stays and when her mother tightened her lace the next day she would simply
cut off yesterday’s knot and re-knot and re-trim the lace to its new position.
Thus the corset was never loosened or removed, but tightened more and more. As
the body accommodated itself more and more to the shape of the corset, easing
the girl’s distress, the mother would tighten it still more.
Staymakers
advised tightening a girl’s laces every morning and, if possible to get enough
slack, in the late afternoon before dinner. It is certainly understandable why
ladies displayed birdlike appetites.
Chapter 3: PREVENTATIVE DISCIPLINE
It is quite
understandable for the girls to use every possible means of reliving their
distress. Staymakers warned the mothers to take steps to prevent them from
loosening or removing their stays.
There was
relatively little likelihood of it during the day because girls then wore many
clothes over their corsets—summer or winter—and most of these fastened tightly
up the back. The shoulder straps themselves prevented them, in most cases from
even reaching their hooks and buttons on the back. For the most determined and
ingenious ones who might use scissors or a knife to cut themselves loose,
mothers, governesses, and schoolmistresses would restrain the girl’s arms,
sometimes sewing the end of her sleeves together in the front and others merely
strapping her wrists together behind her back.
This was
termed "preventative discipline" and the term was popularly used for anything
from mild to the most severe personal restraint.
Of course the
girl’s best opportunity to ease her stays was at night in bed, unless she was
restrained at night as in most cases she was. Many and varied were the ways in
which the girls were fastened when they went to bed.
On the
continent, it was quite common to make the girls sleep with both legs in a
single stocking which bound their legs together tightly. In England and Spain it
was commoner to make the girls sleep in stock, their ankles locked securely
under the covers or by a notched board fastened down over her
bedclothes.
Of course it
was more important to restrain her hands at night and make it impossible for her
to loosen her stays. Girls had their wrists bound down to the sides of the bed
at night. Other girls wore special long-sleeved gowns without openings for the
hands, the sleeves being sewed together each hand on the other sleeve. These
were put on the girls to hold their arms across their front, the gowns fastening
in the back. In other cases, long tapes would be sewed (sic) to each sleeve so
that the arms could be folded across the back and the tapes tied together at the
front. The simplest was to strap the girl’s wrists together behind her back and
have her sleep like that.
Lady
Ardmore’s memoirs, A SLAVE TO FASHION, tell how she was made to sleep with her
arms bound behind her back and her legs bound at knee and ankle from the age of
nine, when she began to wear stays. Her cousin and her elder sister were all
made to sleep completely bound in this manner, and her stepmother punished all
complaints by making the girls having their arms bound behind their back for all
the next day. Lady Ardmore’s arms were bound every day for over a year because
of the great number of complaints and then she was fitted with a discipline
mask.
Many girls
were made to wear masks during their figure-training. These were made usually of
soft leather, fitted over the whole head as well as the face, lacing down the
back and fitting snugly under the chin and around the neck so that it was
impossible for the girl to remove it.
There were a
variety of masks used in figure-training. Many girls’ schools on the continent
required each girl to wear a mask when leaving the school, grounds for any
reason. These mask had eye and mouth holes and were more to preserve the girl’s
anonymity in the town rather than to punish them at all. A few schools required
the girls to wear masks like these all the time to limit grimaces, exaggerated
expressions, and communication by non-verbal means.
Far commoner
were the muting masks that had no mouth openings and were used for punishment
when a girl had too many complaints. Lady Ardmore was made to wear one of these
masks for years, having it removed only when in her room for
meals.
Still harsher
were blind-mute masks having neither eye or mouth holes. Some of these had
padding at the ears also to deafen the wearer to some degree and these would be
put on girls who were truly rebellious. Spending hours blinded, muted, and bound
served quite well to subdue the rebels. Some schools had masks of this type made
for all the girls and insisted on them sleeping in them so that they could not
communicate with each other at night in bed. Generally, these schools also
required the girls to sleep bound and also chained down.
Originally,
these were wooden boards strapped flat against the back of their waists and
extending up their back where a steel ring covered with leather projected to the
front and encircled the throat.
These were
popular around the close of the eighteenth century and many girls were held
rigidly upright in them. Generally they were removed at night, they normally
were worn above their clothing, and the leather-covered rings were left on their
necks to fasten the backboard to the next day.
It was a very
step from this point to using the neckring as a convenience in tethering the
girl to her bench for her needlework or to her desk for schoolwork. The next
step was the use the neckring as a leashing point while taking the girl here or
there. Within a predictably short time it was found convenient to heave a short
chain attached to the neckring for tethering her to a spot or for leading
her.
The backboard
became popular in a number of schools in England and on the continent and with
it came the collar. In Scotland, the collar was referred to as the jougs, and
the backboard itself went underground, so to speak. Instead of a wooden board
strapped to the waist after the young lady was dressed, the Scots began using a
stiff flat bar of metal that went on the spine under the stays and extended up
the back to above the collar—far enough above that the young lady couldn’t slip
it off. Thus, she was held permanently erect, night as well as day. More to the
point, the jougs became a permanent metal neckband, wide enough to avoid hurting
the neck when the young lady forgot it was there and tried to look down at her
own shoes.
The collars
were made of silver and gold and—for the less wealthy families—bronze,
pinchbeck, and even copper which had to be worn over a neckpiece so it would not
darken the skin. Many were elegantly filigreed and engraved as decorations
although they were clearly restraints. Some were linked collars, wide chain mesh
that were locked at the back with small padlocks but others were one-piece metal
bands that were riveted in the back.
The schools
on the continent, were quick to pick up the restraint and they established
patterns of collars (with) which their students were fitted—unless they came
with substantial collars already on their necks. Many of these were brass and
Sheffield plate—silver over copper—and part of the girls’ duties included
keeping their collars brightly polished.
Later, some
German schools fitted the girls with collars that looked like silver but
tarnished much less and cost much less, this was called "German
silver."
All the
schools took full advantage of the convenience of the collars and neckchains,
restraining the girls for virtually 24 hours a day. The girls were tethered
during classes, during meals, during "free time" and even during trips through
the town to museums, libraries, cathedrals, or plays. It was not uncommon for
caffles of girls to be paraded through the town, inked neck to neck and often
masked and bound, escorted only by a schoolmistress at the head, who could be
quite confident that none of the girls could wander off.
Lady Ardmore
told of being in a girls’ school near Munich, where her waist was laced down to
fourteen inches—the size stipulated by her stepmother. She was fitted on her
arrival with a heavy German silver collar, as well as a heavy neckchain which
slid along a wire with the other girls. The girls had to reserve their order on
the wire and could move along the wire only in that order.
She continued
to wear the collar and chain after leaving the school—first because her
stepmother insisted and later, because her husband took such great pleasure in
tethering her and even set up a similar slide-wire system at the manor house
confining her to her own wing. He also continued to keep her arms bound a large
part of the time.
Quite aside
from binding the girls’ arms to prevent them from loosening their stays, many
figure-training authorities advocated binding the arms rigorously as an aid to
good posture.
Even with
shoulderstraps and backboards, many felt that additional steps were desirable
and they bound the girls’ arms together behind their backs so that their elbows
were pressed tightly against each other. This pulled their shoulders back most
firmly and expanded their chests. Their posture was clearly improved by this
practice but the girls found it distressing—particularly after several
hours.
Al letter
from La Monceau school of Cassis (near Toulon) to Mrs. Claudia Gibbs of
Devonshire advocates such binding for her daughter Sybil who evidently had a
severe posture problem.
"….and she
somehow manages still to appear awkward in spite of the shoulderstraps and the
backboard. I have made the experiment of binding her arms behind her back so hat
her elbows touch and immediately there is a pronounced improvement. We have
encountered this problem before and find that the longer the bad posture is
allowed to continue the more trouble is there (re)medial measure required. Dear
Mme. Gibbs, believe me, it is not pleasant to be bound for long periods but I
fear that unless we bind Sybil’s arms in this manner now, she will retain this
most unfortunate awkwardness. I urge your consent to our binding Sybil’s arms in
this manner for at least six hours each day. For understand, Mme, Gibbs, it is
the last hours that do the good. The third hour does more good than the first
and second taken together. The fourth hour does more for the habits than all
three earlier ones. The fifth hour provides a more persuasive remedy than all
four previous ones, and the sixth hour is the most curative of all those which
have gone before. I believe and I (re)commend that we should bind Miss Sybil’s
arms in this manner for at leas six hours each day during the subsequent few
months. Her schedule of study can be rearranged to avoid interference with her
education and even should some mild interruption of her study result from this
practice, it is my considered opinion that such a delay would be to her ultimate
advantage, since the study could very well be made up in the future after she is
cured of her distressing posture fault.
Of course,
the procedure is not to our student’s preference; like all young women, her
immediate physical comfort looms more largely in her mind than the formation of
posture habits which will remain with her throughout her life. Consequently, I
solicit your approval of this step for the period of six months, at the end of
which time we can re-assess the situation and determine the course to be
followed.
I look for
your early reply to this letter…"
We have no
record of Mrs. Gibb’s reply to the letter but there are numerous records of
girls being bound in this manner for lengthy periods.
Lady
Ardmore’s daughter-in-law, who was restrained closely with her over a two-year
period, had been bound rigorously in this manner during her school days and her
husband, the Honourable CharlesTrelawny, greatly enjoyed having her arms
confined behind her back in a single glove.
Chapter 7: SINGLE GLOVE FOR RESTRAINING
ARMS
This glove
was a long one, covering both hands after they were placed palm-to-palm, and
lacing snugly up both forearms to the elbows—which were held tightly pressed
together. To keep the glove from slipping down, a loop was passed completely
around both shoulders and the glove itself came up several inches above the
elbows—still laced snugly.
The young
lady had a number of these single gloves in different colors ands types of
leather and it was quite common for her to be restrained in one or another every
day, whether her husband was to be home or not. Her had left orders to that
effect with her maid.
When the
bride came to stay with Lady Ardmore, she brought her own maid along, who had
been ordered to fasten her lady’s arms each day in on of the single gloves. The
maid interpreted her order, rightly or wrongly, as applying to all day rather
than to a few hours as the bride insisted had been her husband’s intent. Over
the bride’s protests, the maid insisted on lacing her mistress’ arms in a single
glove each morning and she refused to undo her arms until bedtime. Thus her arms
were rigorously restrained all day long, every day.
On her
behalf, Lady Ardmore wrote to her husband, who was with the Honourable Charles
in India, and asked him to enquire as to his son’s intentions regarding his
young wife. Lord Ardmore replied, in part:
"I have
enq’d Chas., as you requested, & must tell you that he did truly with (sic)
Yelinda’s arms rest’ned for only suff’c’nt dura’ion as to preserve her habit and
not lose her tole’nce of such c’nf’nm’nt. Howsoever, since her maid seems to
have est’blished a practise of more prot-cted restr’ct’n already (judging by the
date of your l’tt’r and today’s true date), it w’uld seem that any remedial
order w’uld be f’rth’r delayed by the time for passage of this missive.
Acc’rding’ly, Chas.beseeches h’s beloved wife toward patience against his
return. It is his devout wish, she be acc’st’m’d to such rest’nt and even able
to sleep with her arms so constrained. He send her his heart’s dearest affec’n
and beseeches her prayers f’r his safe return."
So the bride
was not only made to continue wearing the single glove to bind her arms behind
her, but to learn to sleep bound in such a manner. Lady Ardmore said, her heart
ached for the poor girl who tossed and turned during the night, being in
considerable discomfort. However, she did become able to sleep while her arms
were thus bound and, to stay in practice, slept that way every other
night.
Lady Ardmore
herself wrote:
"I must
confess to a great curiosity as to what it must feel like to be bound in a
single glove, so that I requested the maid to bind my own arms in a glove
Yelinda was not wearing at the time.
I found it
a curious sensation and not at all uncomfortable, at the start. My arms were
drawn back so extremely that my chest had perforce to remain expanded. I can
quite easily see that it must be a healthy measure. I quite soon decided that I
would have a similar single glove made for myself, learn to wear it and even to
sleep in it as Yelinda was doing in order to surprise my husband when he came
home from India. However, after I had worn the glove for an hour, I decided I
would have one made for me and learn to wear it during the day but sleeping in
it would be too distressful. At the end of two hours, I was most uncomfortable
and wanted only to have it off so that my shoulders would no longer feel the
considerable discomfort. However, I was not able to take it off myself and of
course Yelinda was not able to remove it for her own arms were laced in another
just like it. I was forced to wait for another two hours for my release because
I had given my maid an errand, she was even then in the village ordering a
single glove for me from the local glovemaker. When she left, she had locked the
door to my apartment, as she had been ordered to do and none other of the
household staff was able to enter and release my arms.
By the
time she returned with the news that my own single glove would be ready in a
fortnight, I was exceedingly distressed and begged her to release my arms
immediately, which of course she did.
Since
having my own glove, I have worn it for periods not exceeding two hours, except
for one occasion while awaiting the Duchess of Kent who was late. Then I wore
the glove for nearly six hours before it was announced that the Duchess would
not arrive, and it was nearly seven hours before we could get to our own rooms
where my husband would release my arms. That was true agony and I should not
enjoy such an experience again.
I must say
that I had far greater respect for Yelinda, who wore a single glove for between
thirteen and fifteen hours each day and, moreover, wore it during eight or nine
hours of sleep on alternate night. I did not wonder, at her exclamations of
discomfort."
Chapter 8: FIGURE-TRAINING AT HOME
Although many
families sent their daughters to girls’ schools for figure-training, especially
for the last several years, there were still many families where the girls were
educated and trained at home. In some cases, governesses or tutoresses, were
called in to give instruction in French or mathematics, but girls were not
generally required to have the same kind of education as boys. It was more
common for the girls to be trained to sew, to sing—but not too well—to speak
French and sometimes German, and for the rest to conduct herself (sic) as a lady
in every way. This last included figure-training and whatever means of assuring
good posture as the girl’s mother, stepmother, governess, aunt, or grandmother
thought proper.
Generally the
task was taken over by some woman without too absorbing an interest in
socializing, and it was not at all unusual for the aunt or grandmother or elder
cousin to spend considerable effort reading the ladies’ journals and writing
voluminously to staymakers, their former schoolmistresses, and friends to seek
the best advice for training their charges. More often than not, the training
was on the severe side, often approaching such rigorous conditions that the
subject’s life was sheer hell. The poor girl would be laced savagely, braced,
collared, chained, bound in a most uncomfortable manner,. And kept muted in a
mask so she could not complain. There was no choice of the poor girl, however.
Al she could do was improve her posture and figure or suffer and undoubtedly she
did both.
Of course,
there were many cases of true sadism, an aging (sic) gentlewoman who felt that
life was passing by after she had undergone considerable physical distress to
achieve happiness, could very easily slip from sincere severity to deliberate
cruelty in dealing with her helpless charges.
In 1964, I
read the personal memoirs of an 85-year-old lady, who had been subjected to an
outstanding program of sadistic figure-training as a child.
She was
orphaned in 1888 when she was nine, her father had been a British officer and
she was taken in by a wealthy widow of a Scottish merchant who lived in a small
city called Stirling. She was immediately fitted with the most rigorous of
heavily boned corsets and laced as tightly as possible twice a day. She wore a
rigid metal backboard under the back lacing, this was held close to her neck by
a wide German silver collar, that had a chain permanently attached. Her corset,
was double boned and equipped with shoulderstraps, that kept her gasping in
agony for hours after the morning and late afternoon lacing. Along with this,
her arms were bound behind her back with the elbows touching during the day, and
she was put to bed at night with her arms bound behind her back and her ankles
locked in stocks.
Because she
cried and complained, a leather mask was made for her, without a mouth opening
and her hair was clipped short, to permit this mask to fit more snugly over her
head. The mask was cleverly painted with realistic colors so that she did not
appear to be masked, and it extended further down her neck than some so the
bottom was concealed by her wide metal collar. She wore a wig over the mask and
dark glasses, smoked spectacles was the term used in the manuscript, so that
nobody realized the girl could not speak. The mask was removed only at meals
which were served in her room and it was put on her again immediately
afterward.
A slide-wire
system was set up to confine the girl to her room and she was kept a close
prisoner for years, never permitted out of the room without the mask paced on
securely and her arms bound behind her back. Whenever she was taken out, her
ankles were chained together to permit only small steps and her benefactress
held the end of her chain. She had no possible way of getting
away.
In 1898 she
was nineteen years old and her waist measured only sixteen inches around but she
had a new mask, a new wig and spent her days bound and chained to her wire. She
had no schooling beyond third grade and she saw nobody except her mistress and a
servant.
She realized
then, that this was no question of training—this was her life. Her mistress, was
her owner and she had no intention of letting her go. The extent of her
conversation was asking "please" for each bite of food fed to her by her
mistress.
Her life
might very well have run out in this manner except for a bomb from a German
Zeppelin in 1916. Her mistress, was away at the time of the raid which was the
first in that area and she was dreadfully frightened when a bomb exploded close
by. The windows broke while part of the far wall came down.
She realized
that the far end of her slide wire had been broken or torn from where it was
anchored in the wall and she was able to pull her chain free. The doors were all
locked but part of the wall was open and she managed to sit and half-walk out to
the tennis court at the side. It was a moonlit night and she began walking
toward town, the end of her neckchain dragging behind her.
After a few
miles, she was found by a policeman, who couldn’t realize at first that she was
muted and bound. She was 37 years old, had a 16-inch waist, and her vocabulary
was that of a 10-year-old child.
There was a
huge spread in the papers and they showed pictures of her in the mask and with
her chain dragging.
The
"benefactress," lapsed into early senility and was placed in an institution,
while her charge was rehabilitated, as best as possible as a ward of the Crown.
Her hair was allowed to grow and her collar and chains were removed. She was
unable to do without her corset, however; the severe constriction of 28 years
had virtually destroyed her body muscles.
On the 18th
of February, 1910, a scandal broke in LE PARISIEN and other papers over the
manner in which one Jean Parat, a 43-year-old apothecary, treated his wife in
their home and shop in Rue de Vaugirard,. Paris.
Neighborhood
gossip, was rife as early as 1908 concerning the manner in which Parat treated
his young and pretty wife which involved keeping her in severe personal
restraint and chained up all the time. Various people saw her chained to the
wall in their apothecary and forced to wrap purchases while her wrists were
locked in handcuffs. On Sundays when they went to church, Mme. Parat wore a cape
that hid her arms which were always behind her back—and the neighbors said they
were chained together behind her. Several attested, that she took only tiny
steps and clanked when she walked because her ankles were chained under her
skirts. Rumors spread that M. Parat chained his wife to the bed, whenever he
left the house.
Finally, the
Paris police investigated and found the charges true. The wife was not only
chained to bed but under her clothes she had a fantastic amount of chains and
bounds. She was tightly laced into unfashionably severe stays which she was
unable to remove because she wore a metal corset over them and this corset was
padlocked.
The wife, did
not have any complaint but the neighbors did and so did the police. Parat, was
indicted for cruel and inhumane treatment. At his trial he attempted to minimize
the offense by pointing out that his wife’s chains were long enough to let her
play the piano.
In LE RIRE of
March 5th, 1910, a cartoon by the well known artist Metivet showed Parat
dragging his chained wife after him and beneath it was the
caption:
"V’la le
moyen d’avoir une pouse bien ficile et qui vous soit solidement
attache."
It puzzles
many people, how Lady Ardmore and Madames Parat and others permit such extreme
personal restraints. There appear to have been fully as many willing victims as
rebels who fight against bondage.
To me, it
seems reasonable, that only some of us are rebellious fighters and that there
are fully as many with the innate tendency to submit to authority, even harsh
authority. With the upbringing tat girls were subjected to in those former days,
it seems that the submissive tendencies would be encouraged and the rebellious
spirits quelled.
Thus a girl
who is reared by a dominant mother or possibly, a harsh stepmother, would be
completely indoctrinated to the principal of submission. If, then this girl
marries a dominant and possessive man, the authority is simply transferred from
parent to husband. To such a person, rebelling against a husband is unthinkable.
In those days, women were not educated to earn livings except in very rare
circumstances. There was no way, they could run away and support themselves in
the great majority of cases. Consequently, the only possible course was to
cajole the husband into easing the restraints but to follow his orders and try
to like it.
There must
have been many who liked it. Lady Ardmore, clearly enjoys telling of her severe
personal restraint. She dwells lovingly on the details of her chains, single
glove, and the fact that she was to be bound twenty-two hours or more out of
each twenty-four. It is reasonable to assume that she enjoyed the bondage,
although probably not much at the time as she did afterward in telling about
it.
Many other
wives, meekly submissive to the harsh bondage imposed by cruel husbands,
actually enjoyed the restraint. Although, they probably did not verbalize such
enjoyment, even to themselves. There is no great difference in people,
throughout the generations. Certainly, it was just as common for people to play
games with themselves, in the early days, as in our modern
times.
Chapter 12: STATEMENT OF MRS. SYBIL
G.
"This
statement is to be entirely candid and, anonymous. I shall not identify either
my husband or myself by our surnames.
I have
always been fascinated by corsets and my husband, Duncan, is frightfully keen on
restraint. That is to say, he loves to restrain others, but doesn’t care to be
restrained himself.
I began
wearing girdles at a very young age and Mum was always after me about it. My
granna, however, loved corsets and was always on my side. Urging me to greater
lengths. To her, any female who didn’t go about tightly laced in rigidly boned
stays was but a short hop from moral turpitude. She really had quite a
convincing patter about correlating the incidence of crime with the waist
measurements of women.
When the
New Look came in just after the war, I charged a corset to Mum’s account and
took in the waists of all my frocks to fit my figure when tightly laced. I wore
a rubber panty girdle underneath, which kept it cleaner and told the girls at
school that my Mum made me wear all this to keep me chaste. It was a lie, of
course. Mum railed at me and literally begged me to leave them off, but I was
stubborn and liked the feel of them, and besides, I was fearfully set up with
the girls. I mean, being so utterly bohemian that one’s mum had to do one up in
such a wealth of undies. Well, it rather made one seem like a
super-sophisticate.
I’m sure
you recall that the New Look got old quite soon, and when my corset was
virtually falling apart, I simply couldn’t replace it. Corsets were no longer
available.
Well, I’d
graduated with a first class pass by then, which rather surprised um and I
talked my Grann out of the fees for a theatre school. Thought I’d have a go at
acting, you see. Right about that time I ran into Duncan on the street. I had
known him for ages and it turned out he was directing a group that was about to
put on a play—a small playhouse actually, but where one could be seen. Duncan
was quite taken with my small waist and invited me to come and read for a part—a
lovely Confederate spy in a drama about the American Civil
War.
Well, I
was American, of course, and here I had such a lovely small waist and all. Aso,
Duncan winked and said we could have a smashing time.
Now I must
go back and explain. I had a habit of biting my nails and Mum was just most
awfully desperate about making me stop, so she finally took the stern measures
of binding my arms behind my back. This was a few years before. We had gone up
to Grann’s big place in Scotland and there my arms were kept bound for virtually
all the time I wasn’t actually required to be doing something with them. I even
slept with them bound, although bound so loosely that I didn’t have to lie on
them, but just one cord so that my arms were actually bound down to my
sides.
However, I
had met Duncan than and learned he was so frightfully keen on people being bound
and particularly on girls being bound. It was very exciting to him. So in spite
of the fact that he was in his last year at the university and I was only a
child, he paid loads of attention to me and took me all over the place. He was
most particular about binding my arms and he even kissed me, which thrilled me
to death, of course.
(I heard
Ganna ask Mum is she was worried about us, me being tied like that, and Mum said
not with all the rubber panty girdles I was wearing at the time. I liked to wear
two and sometimes three of them because they squeezed me
tighter.)
So when
Duncan winked I asked him if the part called for my arms to be bound and he said
it didn’t now, but it would.
I read
well at an audition but the trouble was that the wife of the man putting up the
money also wanted to play the part. Even though I was better at it, it seemed
that Duncan would have to put her into the role. As a sort of compromise and an
impersonal selection, he finally decided to award the role to the one with the
smallest waist. He warned me about it so I might have a chance to get a pair of
stays an lace down.
Mum had no
objections to corsets for this—she always wanted to be an actress—And Granna was
most enthusiastic about my wearing tightly laced stays for any reason whatever.
She had a kind of thing about corsets, just as Duncan did about arms being
bound. All three of us went to London, but couldn’t find anything suitable, so
we went to Granna’s own staymaker, who took my measurements for custom stays to
Granna’s own fairly rigid specifications.
There was
a lively discussion about my sleeping in my corset. Mum frowned, both Grann and
the staymaker regarded it as virtually essential if I wanted to develop a small
waist. Much of the same sort of discussion followed about shoulder-straps, with
my Mum being outvoted. I was most definitely intrigued by the hole proposition
and voted for full rigor, full boning, shoulder-straps, n o front opening, and a
17-inch waist.
Privately,
I was somewhat dismayed when I saw the final product. I was appalled when I
picked it up—it weighed four stone and it clanked when I dropped it. It was made
of a heavy rubber fabric like a Mckintosh, so could bathe without having it
off.
Grann and
Mum laced me dreadfully tight—more than I liked—but they wouldn’t slacken my
lace. They took in the waists of my frocks and let out the bosoms. I went about
most uncomfortable and couldn’t sleep at night for weeks, but I had no choice
about it by then.
The worst
was that Mrs., Littlejohn (sic) was a most slim thing who had no trouble at all
lacing to a smaller size than I could manage, even with all mum’s efforts.
Duncan came over every night—we had no rehearsals—and he began lacing me; he was
frightfully strong and I thought I’d die.
He had put
in the business of Dixie belle being bound early in the first act when she is
caught by the Yankees and she is bound for the whole of the play. I would be
bound each night for rehearsal and go through the action at least once. (Each
time I read it Mrs. Littlebut copied a bit more of my southern accent until she
really became quite good.)
She got
the part and I was her understudy. I was there every night I costume and makeup
in case she didn’t show up. Duncan bound me each night and I waited in the green
room or the wings. One night, I got to do it and everybody said I did real well.
We ran for 12 weeks and we had spent 5 weeks rehearsing before that. I had been
wearing my corset for at least three weeks before the rehearsals really started.
And all the time, I was being laced tighter and tighter and taking in more waist
of my costume (as well as my frocks) more and more. By the time the play closed,
my waist was smaller than Mrs. Littlebut’s—quite a bit
smaller.
Duncan
said not to take off the corset because he was getting another backer, to put
the play on in another house. He came by every night and laced me and we ran
through the play. The backer drifted away. Then there was another but he died
although his nephew thought he might help. Well, what with one thing an another,
we were hanging in mid-air, so to speak but every night Duncan would tie my arms
and we’d go through the part. Also, I was being laced tighter each day and
getting ever slimmer. Finally, the man promised to back us if we’d be patient
another three months.
Meanwhile,
my mum had met a wool merchant who was a widower and they were ga-ga about each
other. I mean, mum was acting positively like a teen-ager. They decided to get
married and go off to Italy for a combined honeymoon and business trip and I was
shipped off top Granna’s place up in Scotland. They would be back before our
play went on.
Well
Duncan, always bound my arms as soon as he came and so he did this the day they
left, and he left me bound when he drove me up to Granna’s. Only we detoured to
a little-traveled road and he stopped and kissed me.
He’d
kissed me before but not like this. His tongue came into my mouth and his hand
crept up under my skirt. I was rather shocked but I was bound and helpless.
Moreover, his hand felt so wonderful, so natural, so exquisite that I put my
legs apart and his fingers crept into my slit. He found one spot, my clitoris,
where a mere touch sent violent spasms through my body and jerked the breath
right out of my lungs.
I squirmed
and writhed on the seat of his car while he manipulated me. I felt a hot flush
over my whole body as his fingers left my clitoris and actually penetrated my
vagina. Then, when a finger stayed up in there while a thumb moved my clitoris,
I thought I’d go through the roof. I became quite wet down there with
desire.
Duncan
moved over to the left seat then and I kneeled astride him while he guided me,
so that his big organ entered, where his fingers had been. Both of us moved in
every possible direction and my breath came so fast and hard that I might have
been running upstairs and I was most conscious of my fearfully tight
stays.
Suddenly
the world was blocked out. I could see only some white flashing lights, changing
to very color. I could hear a rushing sound and nothing else. All I could feel,
was the huge penis within me and the rigid corset about me. Everything swelled
up like a great balloon that burst gloriously, marvelously, wonderfully. I was
somehow floating and soaring like a gull.
And even
when I came down slowly, delightfully, I didn’t get all the way down. I never
have got all the way down since that moment. It seems that the tightness of my
corset and the binding on my arms keeps me higher than in my former duller life.
My real life began at that time.
We drove
on the Granna’s and he told Mary, Granna’s retainer, that I was to be kept bound
as much as possible and laced as tightly as possible. Mary asked if he’d like me
to wear a jougs too, which is a kin of iron collar. (He did but that was
later).
Then he
left me, bound and in a heavenly daze, I’ve never recovered
from.
He came up
weekends and fitted an iron collar about my neck. Mary was careful to keep me
tethered by my jougs as well as bound. I lived in a
dreamworld.
Actually,
the play never was put on for the police arrested the man for something. Duncan
had a teaching post to keep body and soul together and Mum settled in Manchester
with her merchant. (She said they hadn’t room for me just then and she was quite
satisfied that Mary was looking after me, she hadn’t the slightest objection to
her daughter being laced, bound, and chained up then.)
Duncan got
a wonderful offer at the university of California and he’s now a U.S.
citizen.
Our life
has been a dream for me—as I say, I’ve never really come down. Possibly because
I have a constant reminder, my corset, my collar, my bound arms, of the sex I
have had and of course of the sex I am to have
again—tonight."
Chapter 13: FIGURE-TRAINING IN THE
U.S.A.
Wealthy
families in this country made every effort to follow the lead of Europe in the
matter of elegance an fashion, including the matter of
figure-training.
Tight lacing
became prevalent in the wealthy families, along with the attendant
restraints—shoulderstraps, backboards, collars, and bound arms—much as in
Europe.
There were
girls’ schools in Baltimore, Philadelphia, Conn., and other places where the
girls were tightly laced day and night, bound, collared, braced, tethered, and
masked in the European manner. Preventative discipline was much in vogue in
small select circles and many young women were subjected to distressing
restraints.
An additional
restraint was used in a school in Germantown, which is a suburb of Philadelphia.
There the young ladies would be tightly laced, braced, dressed, and bound each
morning with their elbows touching, all before their hair was combed. Then, a
maid would braid their hair in a single long pigtail, in the back and braid a
cloth tape in with the hair. This clothe tape would then be tied tightly to the
strap that bound their elbows together behind their backs, thus pulling their
heads back firmly. They were left bound like this during their instruction. With
there heads drawn back in this manner, they were forced to bend forward at the
hips in order to see where they were going; thus, their body was forced into an
extreme S-curve that was considered stylish.
The general
idea of the training was to force the girls into an exaggerated state of desired
attitude so that they would grow accustomed to it and fall easily and
comfortably into the fashionable posture.
Some schools
had another feature that is worth mentioning: each girl had to have her own
wrist-restraining ribbon on her shoulder. Each girl, had to have wide grosgrain
ribbons with hook sand eyes spaced just right to fasten around both wrists.
Matched eyes were sewed to the shoulders of their uniforms and each girl had to
have her ribbon at all times, either hooked on her shoulder or binding her
wrists at the back of her waist. If a girl had no ribbon on her shoulder and was
not bound, then her wrists would be bound behind her back with sticking plaster
and left bound, until her lost ribbon was found or until new one could be made.
The girls used to steal each other’s ribbons, to get even for past
offenses.
The De Milo
corset is virtually for bondage society people. It is called that corset because
it encloses the arms, so that the wearer appears to be armless like a Venus.
There aren't many of them.
Another kind
of Venus corset is underwear and I have seen only one of these, although I know
more that exist; I once attended a dance in Palo Alto (CA) where there were four
women in a Venus corsets of this type. The one I saw was a long boned garment,
very heavy, that laced the waist tightly, molded the hips and bust, and
supported the long stockings just like an ordinary corset. The difference was in
the upper body: It covered the shoulders with no armholes.
The wearer, a
slim pretty blonde, had her arms folded tightly behind her back, her forearms
pressed together up and down over her spine. Her hands, palms outward, were up,
so that her extended fingers almost touched the back of her neck. The backs of
her hands were held tightly against the skin of her back up between her
shoulders and her elbows were almost touching behind her back, just a little
above her waist. Her whole body was laced very tightly, so that her arms were
crushed against her back: She appeared to have no arms at all. Her upper body
was thicker than normal in profile, but not noticeable so unless you knew the
lady and knew how slim she was ordinarily. Her waist was tiny, seemingly more
tiny with the bulk of her arms folded up so. Her hips swelled out widely, and
she had a most delightful figure. I saw her after she was laced tightly in this
corset and she was wearing only that, stockings, high-heeled boots, and a heavy
solid-gold collar that had cost her husband five thousand, seven hundred
dollars. The lady was breathing shallowly, because of the tight lacing, but yet
not quite tightly enough for her gold lame evening dress to be
fastened.
After we
chatted for perhaps an hour, she and her husband, my wife and myself, her
husband tightened her laces still more. It was painful to her to be tightened,
but she urged him toward greater effort. She is fully as masochistic as he is
sadistic, and he braced his knee against her back as he tugged at the laces. He
knotted it tightly at the top, cut off the ends, and found that the gold lame
gown could now be hooked and zipped up the back. I it covered her corset
completely and she seemed to have no arms at all.
He then
finished dressing while my wife touched up the lady's lipstick and powder. That
was around 7 pm. She stayed laced and dressed during a dinner party; her husband
fed her by hand and a number of men danced with her, holding the end of her
neckchain in their left hands. My wife helped her in the ladies' room once and I
believe some other women helped her, another time. A little after 2:a.m.,we all
went to another place to listen to some old-fashioned Dixieland jazz and dance.
Later, we went up to a friend's house on Mulholland Drive to watch the sun come
up over the city.
She actually
fell asleep in the car coming back to her home in Pacific Palisades. That was
after 7 am; her husband carried her in at their place and she was half awake. My
wife offered to help undress her, thinking of her uncomfortable corset, but her
husband said, "No", he'd take care of her. We later found that he had removed
only her dress before tumbling her into bed, still in corset and high-heeled
boots, and she had slept until after 1 pm. She admitted that her arms were
numb."
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Copyright by J.F. Trelawny
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